While Student Council JNL was not influenced by any school activities, the design is based on a lithographed cardboard sign (circa 1930s) for Spizz Sparkling Water, a bottled seltzer from the Dr. Pepper Bottling Company of Lexington, Kentucky.
A squared letterform with angled semi-serifs, this Art Deco typeface grabs attention.
Student Council JNL is available in both regular and oblique versions.
One of the lettering examples in the 1913 book “Instructions on Modern Show Writing” is a delightful calligraphic alphabet that’s perfect for everything from show cards to invitational notes to names on certificates.
It has been digitally redrawn as Personal Invitation JNL, and is available in both regular and oblique versions.
A piece of sheet music for “Broken Blossoms” circa the 1920s or early 1930s has its cover title hand lettered in a wide thick-and-thin Art Deco design.
This is now available as Flower Shop JNL, in both regular and oblique versions.
The hand lettered title found on the cover of the 1932 sheet music for “Dancing Marathon” inspired the digital revival of this unusual lettering as well as the font’s name.
This eccentric Art Deco design (with a slight bit of Art Nouveau mixed in) is a thin, monoline typeface.
Dancing Marathon JNL is available in both regular and oblique versions.
Dance marathons got their start during the Great Depression as people desperate to earn a few dollars would enter into contests that went on for hours until the last couple remained standing on the dance floor.
The hand lettered name “Chickland” from a 1958 restaurant menu cover was actually a throwback to the Art Deco style with its condensed thick and thin sans serif design.
With just a few available letters to work with, it has been turned into Counter Service JNL; available in both regular and oblique versions.
The free form hand lettering from the titles and credits of the 1964 French film comedy “Le Gendarme de Saint-Tropez” [“The Policeman from Saint-Tropez”] was the basis for Off Duty JNL – which is available in both regular and oblique versions.
A 1942 menu cover for the restaurant at the Biltmore Hotel in Los Angeles features its name in a stylized Art Deco serif design.
This is has been turned into the digital typeface Bill of Fare JNL, and is available in both regular and oblique versions.
The hand lettered title for the 1954 film “Power of the Press” was done in a condensed sans serif type style that is now available digitally in both regular and oblique versions as Local News JNL.
The hand lettered title for the 1954 film “Power of the Press” was done in a condensed sans serif type style that is now available digitally in both regular and oblique versions as Local News JNL.
Inside the pages of an untitled sign painting textbook (circa 1902) was an example of the classic chamfered sans serif alphabets used by tradesmen of the time.
This version was wider than most, and perfect for a digital version called Wide Chamfer JNL, which is available in both regular and oblique versions.
The hand lettered title for the 1954 film “Power of the Press” was done in a condensed sans serif type style that is now available digitally in both regular and oblique versions as Local News JNL.
Inside the pages of an untitled sign painting textbook (circa 1902) was an example of the classic chamfered sans serif alphabets used by tradesmen of the time.
This version was wider than most, and perfect for a digital version called Wide Chamfer JNL, which is available in both regular and oblique versions.
A condensed, light face spurred serif alphabet was shown on an antique catalog page from Spon & Chamberlain Publishers as “French”. The catalog likely sold tools and dies to stonecutters for making inscriptions in marble, granite and so forth.
This elegant design is available digitally as Nouveau Thin JNL in both regular and oblique versions.
