
The free form hand lettering from the titles and credits of the 1964 French film comedy “Le Gendarme de Saint-Tropez” [“The Policeman from Saint-Tropez”] was the basis for Off Duty JNL – which is available in both regular and oblique versions.

While we can’t comment of the suggested definitions for ‘tuggle’ that you might encounter online, we are happy to expound on Tuggle’s quirky and endearing characters. The gravity of its bellbottom slab-serif structure is mitigated by soft rounded corners, while surging swashes and globular stroke endings further attenuate Tuggle’s otherwise would-be uptight tenor. The ideal typographic solution for children’s blocks, candy packaging, vape shop signage, and hospital way finding. Pair Tuggle with an equally juicy script like Dave West’s Superstar. Designed by the Photo-Lettering staff, and digitized by Susana Carvalho.
TUGGLE CREDITS:
Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Experience the precision, elegance and history of the Chalet font family. This collection of ten typefaces in three unique styles is the creative genius of acclaimed clothing designer René Albert Chalet. Originally used in his early advertising campaigns, Chalet appropriately echoes the attitude of its creator: function with flair. Modest and unpretentious yet bold and daring, Chalet’s distinctive air allows for a variety of uses ranging from text to display applications. Add modern panache to any design with the Chalet font family.
CHALET CREDITS:
Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Inside the pages of an untitled sign painting textbook (circa 1902) was an example of the classic chamfered sans serif alphabets used by tradesmen of the time.
This version was wider than most, and perfect for a digital version called Wide Chamfer JNL, which is available in both regular and oblique versions.

Inside the pages of an untitled sign painting textbook (circa 1902) was an example of the classic chamfered sans serif alphabets used by tradesmen of the time.
This version was wider than most, and perfect for a digital version called Wide Chamfer JNL, which is available in both regular and oblique versions.

A condensed, light face spurred serif alphabet was shown on an antique catalog page from Spon & Chamberlain Publishers as “French”. The catalog likely sold tools and dies to stonecutters for making inscriptions in marble, granite and so forth.
This elegant design is available digitally as Nouveau Thin JNL in both regular and oblique versions.
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Frida Bezrukova
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