Frida Bezrukova

House of the Dragon is a gothic blackletter typeface, drawn and created by Mans Greback.

Its large, decorative fraktur initials contrasts against the clear, minimalist medieval lowercase, as thrones amongst chairs.

With more than one thousand high-quality glyphs, House of the Dragon supports all languages.

It is provided in four beautiful styles: Regular, Bold, Outlined and Deco.

In addition, the complementary House of the Dragon Color font, with an amazing, classical gold/red effect.

This Middle Age typeface is perfect for an Olde English/German logotype, a fantasy game or a poster for a historic battle.

The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability.

It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia.

It contains all characters and symbols you'll ever need, including all punctuation and numbers.

I have upgraded my existing font software and also bought new font software to play around with. It takes some time getting used to working with it; the upgraded software feels similar to what I am used to, but handles things differently and the new software is intuitive, but comes with its own language and ways of doing things.

I spend most days reading the handbooks and watching online tutorials, but I did manage to create a font.

Steamed is a hand drawn all caps display font that comes with a whole bunch of accented glyphs (even Vietnamese) to play around with.

Varisse spans over two centuries of type design and draws its inspiration from well-loved classics that are as fresh today as they were when they were created.

The range stretches from a quintessential 18th century transitional serif to an uncompromising 20th century sans. Think Baskerville, think Gill. The idea was to create a family that shared similar forms and the same vertical metrics, allowing them to be mixed to provide impact and readability as required.

With a generous x-height and a host of options, the Varisse family is ideally suited to branding, packaging, magazines and editorial. It also provides a wealth of opportunity in website presentation.

The fonts are divided into five subfamilies by degree of ‘serification’.

• Varisse Sans
• Varisse Soft Sans
• Varisse (normal)
• Varisse Soft Serif
• Varisse Serif

Each subfamily contains six weights and accompanying italics.

Black Starsdut is a unique and modern combination serif typeface that is complemented by blend alternatives that give it a luxurious and unique style. This font is perfect for branding, logos, invitations, watermarks and more.

The Black Starsdut font comes in a duo font style, thin script, and bold. Full Font including Upper & lower case, Ligature, discretionary, numbers, soup script, super script punctuation, Alternative Swash & Multilingual Support.

If you have any questions, don't hesitate to get in touch.

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This is the classical font to make a Tanach, Siddur, or a regular Hebrew book.

These fonts include all diacritic marks: Nikud, Teamim, and modern punctuation.

You can find in these fonts: shevana, kamats katan, cholam chasser and dagesh chazak.

The best program to use these fonts is Adobe Indesign.

Beautiful Tonight is a fancy font perfect for crafting, branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events, or anything.

Beautiful Tonight with a full set of uppercase letters, multilingual symbols, numerals, and punctuation.

Real Enemy - Original Handmade Brush Font is an Authentic brush Font that is written casually and quickly.

Letters are made with Procreate. Then trace down into vector format, and carefully crafted into a typeface.

That is why Real Enemy has a rough, authentic, and strong characteristic more natural look.

Real Enemy Perfect for designs, branding projects, Logo design, Quotes product packaging and another Project that require cool strong brush font.

Floukista is a Minimalist Modern Elegant sans serif font with beautiful ligatures, tons of special alternative glyphs, ornament and multilingual support. It’s a very versatile font that works great in large and small sizes. Floukista is perfect for branding projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image…

Main Features:

• 3 Weights font with Italic
• Uppercase & Lowercase letters
• Punctuation and special characters
• Multilingual support
• Ligatures & Alternate glyphs

Thank you for visiting our item. Hope you like it!

Inspired by the architectural art of brutalism, this font is made with an expanded width, with the authenticity of each letter, making this font look strong and brutal, suitable for use in the application of titles, posters, billboards and more.

This font has the same uppercase and lowercase letters with some modifications on the uppercase letters. I included the modified letters to use however you like.

The Higher Wevil is a crafty and distinctive display font. With a combination of pixel-art and scary horror themes. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level!

Proudly Present, Greathy a Bold Handwritten Font.

Greathy is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

Greathy also come with Multi-Lingual Support.

Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Klothilde is a handwriting font which came to life in one of my doodling sessions (I must admit I still doodle with pen and paper). The idea was to create a font which resembles writing with a quill on paper with exaggerated ball terminals. Sometimes there is too much ink which makes the letters fat and the strokes uneven. The paper soaks the ink resulting in blurred line crossings. The form gets blurry. On the other hand, when the quill runs out of ink the stroke gets thinner looking like the light version of Klothilde. In order to emulate the different looks, I created six fonts with a common skeleton but different appearance which can be altered seamlessly by using the Variable Fonts technology (e.g. in latest Adobe apps or CorelDRAW Graphics Suite) along the Weight and Blurred sliders. But even without, Klothilde can be used even in longer copy. Use it from 18 pt upwards, flush left with tight leading and intersecting ascenders and descenders. Due to extensive manual kerning, it gives your text an even colour.

To my knowledge, Klothilde is one of the first script Variable fonts in different weights.

No, Klothilde’s letters are not connecting. But I added a whole bunch of connecting ligatures which are simply activated by the ligature feature of your app. Even Microsoft Word can do that. Thus Klothilde comes to life, as it should be expected from a handwriting font. In order to add to variety there are additional glyphs for some critical initial and standalone letters. Repeating letter combinations like nn, mm or rr are avoided by replacing the second letter by an alternative form. All features are activated by the standard ligature feature.

Ligatures are available for most European languages, some even in Cyrillic (some special Serbo-Croat letters included and accessible through localization or Style Set 08 features). Romanian comma-accent characters and ligatures are accessible through the OpenType locl feature.

For the topping on the cake, I added an alternate ampersand (stylistic set 1) and asterisk (ss04), an alternate Cyrillic b (ss02) and t (ss03), a few fleurons, arrows and a skull (OpenType feature ornm), fractions (frac feature), circled numbers (ss06) and an interrobang (ss07) which result in exactly 900 glyphs in each of the six fonts. There should be enough to play with. Should you be missing a special character, do give me a hint.